Peter Barbieri Jr. places his laptop on the tech table and settles back into his seat in the Kweskin Theatre in Stamford. There are three days to go before Curtain Call’s “Beauty and the Beast” opens, and Barbieri watches as final touches are made to the set.
“We are literally putting on a full-scale production every month. One show is in the hopper and another is always coming. So, when do I have time to design?,” he asks, laughing at his own question. “When my child and wife are asleep and it is 3 in the morning and I have some quiet time. That’s when I work.”